Most notably Damien Marley on Karol G’s “Love With a Quality,” and now Jo Mersa Marley on the hazy, hypnotic “Mucho Humo” with Farruko and Bryant Myers. In fact, several of the late icon’s family members with an affinity for music have collaborated with Latin artists lately. In “Jamaica,” with Darrell and El Alfa, he gave the Carribean island a little nod meanwhile on “Chillax,” he first explored a merger of their sound with his own alongside none other than Bob Marley’s son Ky-Mani. Of course, Farruko’s fluency in reggae en español isn’t exactly out of left field. Luckily for him, it’s in this proven fertile soil of reggae that he feels and sounds most at home. Though his commitment to trap on 2017’s TrapXficante initially felt more like a marriage rather than a fling, Farruko seems to have been itching for a challenge, and willing to take a risk. Prior to this project, the Bayamón native was best known for trap anthems like “Krippy Kush,” and reggaeton hits like “6 AM.” “I didn’t see it as a challenge, and I like challenges,” Reyes told El Guru a few months ago regarding his latest sonic shift. In its audible form, the 22-track LP pays homage to his homeland of Puerto Rico, reggaeton puro, and the former’s beloved parent: reggae. Basically, an apt vacation site for your abue, your momma, y tu priti love interest también, assuming you’d want to put yourself in that most hellish of situations.
Con calma farruko free#
Conceptually, it’s yet another artist-created haven for Latinxs to escape to – this one being a tropical island where peace reigns, marijuana is free and youngins respect those who came before. Managing to remain an independent artist from the onset of his career, largely avoid the press cycle, and remain unpredictable by swaying in and out of pre-established riddims, Farruko’s in it for the music. Though he’s malleable in terms of style, and clearly open to experimentation, Rosado isn’t one to bend to the industry’s culture of commercialization or adhering to the status quo.
Con calma farruko plus#
Add to that a healthy batch of collabs, rude amount of remix credits, plus a music label (Carbon Fiber Music), and you’ll see his imprint on a lot of mainstream urbano. In 2015, he crowned himself a Visionary, in 2016 El Talento del Bloque, a trafficker of trap on the album TrapXficante, and most recently a guerrero on Gangalee. ‘Photo courtesy of HBO LatinoĪt 28, Farruko (born Carlos Efrén Reyes Rosado) has a Latin Grammy and seven albums to his name. Farruko, who has over a decade of experience in the music industry, has been a part of that time of reinvention for reggaeton, trap en español, and now reggae – evident in everything from the project’s branding to distinct shouts and ample ganja references. Like fashion, music tends to be cyclical, with artists choosing to revamp and refresh the most iconic of riddims, proving that nothing (or seldom anything) is truly new under the sun. Yet, despite (or maybe because) it’s a visionary work, it’s somehow one of the least talked about projects of the year.
Currently the top fifth Latin album on Billboard charts, Farruko’s Gangalee has been a blissful breath of fresh air since its April drop. Farruko is one of the few at the forefront, doing so in the most overt fashion.Įvidently, plenty of us are listening to Farruko’s latest experimental project on repeat. Luckily, a few artists have taken on the task of ensuring the genre’s origins aren’t suppressed or forgotten. Though its longevity is all but assured, it continues to float away from its roots both in image and sound. Birthed from reggae and dembow in the 1990s, the genre has been dipped and fused into just about everything from flamenco to rock since then, becoming a pop staple along the way. Reggaeton is going through a bit of a quarter-life crisis. Despite it being a herculean undertaking, it’s a time for inner mulling that can lead to growth and potentially even re-creation. Quarter-life crises are often pivotal in shaping us into who we’re actually meant to become.
0 kommentar(er)
